Mar 30, 2008

Pinch Plus: Satchels of Spice

Every so often, there comes along a seductive little recipe, something witty, smart, refreshing, and just that little bit cocky, that asks for a herb or spice you don't have. It's never much - half a teaspoon, maybe. A pinch. And it's always distressing to have to march down to the grocer's and reluctantly reach for it: a seasoning you use so little of, that you know full well will remain untouched for the rest of the year, gathering dust in a corner until the annual spring clean.

We're sure the good people over at Pinch Plus heard our collective lament. Based in Wooster, OH, this small family-run operation has rolled out 24 different one-tablespoon sachets of herbs and spices at 99 cents each. Some may recoil at the idea of shelling out a dollar for a tablespoon of herbs - but, then again, isn't that the lesser of two evils, when compared to letting an entire bottle of it grow musty and insipid in a forgotten corner? Besides, how nifty is it that you can buy just a pinch of, say, turmeric, when that's all you need?

The company also has, hands down, the most beautifully designed "Cook's Library" of spice booklets we've seen. These little tomes open out to specially tailored recipes and individually packaged spices, and come in themes: a Pinch of France, Thailand, India, Mexico, and Maine, and even a Pinch of Christmas. They serve as excellent muses for dinner parties and are a convenient launching pad for exploring culinary traditions around the world.

Pinch Plus's sachets of herbs and spices are organic, contain no salt or additives, and keep for over three years if unopened. They're available at good retailers throughout the country and at the Pinch Plus online store.

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Mar 16, 2008

Cortes de Cima Olive Oils


In Mort Rosenblum's 1998 book Olives: The Life and Lore of a Noble Fruit, he waxes lyrical about how "people who live among olive treestell you their air is pure and their lives are full. They expect miracles as a matter of course." He cites as living proofJeanne Calment of Arles, France-- then 121 years old and the world's oldest living person, she downed the "golden elixir" daily and memorably said: "I have only one wrinkle, and I'm sitting on it." We're not sure about guaranteeing immortality (or wit, for that matter), but we think you'll like Portugal's Cortes de Cima olive oil, which is estate-produced and bottled, and pressed from 100-percent native cobrançosa olives, plucked while still green. Portugal is one of the world's most prolific producers of olive oil, but exports almost none at all--most of it is consumed within the country. Which comes as no surprise, when you learn just how good it is. Cortes de Cima's 2006 olive oil has been reaping awards left and right--both the gold medal at the LA County Fair, as well as a Gran Menzione at the XIV Concorso Leone d'Oro dei Mastri Oleari. The oil is verdant both on the tongue and nose, with an unexpected hint of apple and a persistent, peppery finish. We think the feisty Mme. Arles would have approved. Visit Cortes de Cima's online cellar door.

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Mar 15, 2008

Aural Fixation: Angela Garbes

You don't need to be a fan of the wilder shores of eating to enjoy Gimme Head, Angela Garbes's paean to the kind of food Anthony Bourdain calls "the nasty bits." Garbes read her lively essay at "Talking with Your Mouth Full," the Leite's Culinaria fundraiser held in Seattle last fall, and now the recording is available for listening here.

Raised in an immigrant Filipino family, Garbes learned early on about the politics of waste and, more important, the nondiscriminatory pleasures of taste. Even so, she was a little intimidated by the prospect of devouring a menu featuring "heads and pots," prepared by chef Matt Dillon of Seattle's cutting-edge regional restaurant Sitka & Spruce.

I'm not about to tell you what went down (fair warning, gray matter is involved) but I would encourage you to hear it for yourself, because just like inspired cooking, there's an alchemy in great writing. In Garbes's skillful hands, a grisly subject becomes a surprisingly appetizing advertisement for nose-to-tail eating.

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Mar 13, 2008

Cleaving the Room


Stepping into The Butcher Shop, on the corner of Tremont and Waltham streets in Boston's stylish South End, I notice the glass refrigerator cases lining the back wall. A whole duck catches my eye, then a multitude of plump sausages, and a shelf of deli-style meats: soppressata, hot copocolla, mortadella, applewood-smoked ham. The metallic swish of a blade being sharpened against steel turns my attention to a gentleman standing behind a five-foot square blonde-wood butcher's block. I watch as he trims the fat off a rack of lamb. I salivate. A keen meat-eater, I've hit carnivore pay dirt.

But something's off-kilter: Under his white apron, the butcher's wearing a pressed pinstripe dress shirt and patterned tie, looking more like a businessman and less like a blood-smeared meat man. In front of him, a low Plexiglas partition separates him and his raw meat from a display of fresh baguettes and flowers. In the refrigerator case, next to the requisite deli meats, are loaves of beef tongue terrine and duck liver mousse, $35 bottles of white truffle oil, and a large clay bowl overfull with a hearty cassoulet. Jazz plays softly overhead. At the front of the room a woman is polishing balloon wine glasses behind a black soapstone bar.

Where am I exactly?

The juxtaposition of the carnality of a butcher shop and the sophistication of a wine bar is startling, and yet, how could a meat-and-wine lover ask for more? Barbara Lynch, a James Beard award-winning chef, is the owner of The Butcher Shop--a space that blurs the lines between specialty food store, posh wine bar, and eponymous butcher shop. Whether you enter through the retail side on Waltham Street or the bar side on Tremont Street, doors make little difference. The 30-seat establishment is so small, customers in one half of the room can follow the goings-on in the other.

Although the retail side offers hard-to-say-no-to prepared foods and prime cuts, regulars know The Butcher Shop best as a chic, be-seen-at spot that fills to capacity most nights of the week. The wine bar doesn't take reservations, so smartly dressed couples gather around the butcher's block--cleared off for dinner service--with glasses of wine and plates of antipasti as they wait for a spot to sit. The wait is often so long that guests eat their entire meals standing up. Though there may be something charmant about eating cured meats off a piece of torn brown butcher's paper picnic-style amid a buzzing nighttime scene, I prefer a meal that's a bit more relaxing.

The Butcher Shop is the quintessential solo-dining spot. It's best in the late afternoon, when the place just might be empty--an occasion that I've only come across twice. On weekday afternoons around 3 p.m., while the full lunch menu is still being served, I equip myself with a novel or that day's New York Times and linger over a midday meal. My favorite consists of the Assiette de Charcuterie ($19), an assortment of three pates with white-port gelee and the red wine of the day. If I'm feeling particularly hungry I'll add a vegetable (the menu changes monthly). In March I've loved the Baby Iceberg Wedge with bacon and a tarragon-buttermilk dressing ($10).

After my meal, I always browse the meat case and am continually shocked by the reasonable prices. A poulet en pain--a whole chicken wrapped inside a buttery pastry crust--with rosemary fingerling potatoes on the side could be dinner for two or three at a startlingly low $24, a family-sized chicken pot pie goes for $18, and a small meal of pillowy ricotta-filled dumplings, gnudi (Italian for "nude"), is just $4.

Little else satisfies the way having an unhurried midweek lunch and taking home an $8 pork tenderloin does--except, maybe, the chance to do both to the strains of jazz playing overheard harmonizing with the sound of a butcher's saw cutting through a meaty lamb shank.

The Butcher Shop
552 Tremont Street, Boston, MA 02118
(617) 423-4800

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Mar 3, 2008

Amuse Bouche by A.G. Duffy

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Mar 2, 2008

A Nutty Contradiction: Chocolate Hazelnut Tart


I love foods with nutty flavors: walnut oil; a bold cheddar, Gruyere, or Romano cheese; good brown ale; and a variety of rice. But, I don't like eating nuts--doubt I ever will. Give me a chocolate-covered nut and I'll suck off the chocolate and ditch the nut. I've gone so far as to add them to brownies so that the treat wouldn't be so appealing, only to find I actually take the time to ferret them out and leave a pile on the side of the plate, looking much like a hiker-made trail marker.

A good friend diagnosed the apparent contradiction as a "texture issue." They stick in my teeth and that's horrid. (Poppy and sesame seeds fall into the same category.) However, grinding up nuts to make a pastry tastier is utterly acceptable and right up my alley.

So when I created this tart, I decided to pack in as much nutty flavor as possible--ground hazelnuts in the pastry and Frangelico in the ganache--without the crunch. This is a chocolate-lover's dream, and the dessert most requested by my husband. It's rich, so a small slice goes a long way. For an elegant holiday dessert, top each slice with a few flecks of gold leaf or dollop them with whipped cream. If you want to pipe whipped cream rosettes, which will define how large your slices are, try using the Decorator's Whipped Cream recipe from the Junior's Cheesecake Cookbook. It's excellent.


Chocolate Hazelnut Tart
Makes one 9-inch tart

Ingredients
FOR THE PASTRY
1/3 cup skinned hazelnuts
1 1/4 cups all-purpose flour
1/2 cup confectioners' sugar
1/2 teaspoon salt
1/8 teaspoon ground cloves
8 tablespoons cold unsalted butter, cut into 1/2-inch cubes
1 large egg yolk

FOR THE GANACHE FILLING
11 ounces bittersweet (or semi-sweet) chocolate
1 cup heavy cream
3 tablespoons Frangelico

FOR THE GARNISH
1 cup heavy cream sweetened with confectioners' sugar, lightly whipped
Gold leaf, optional

Method
MAKE THE PASTRY
1. In the bowl of a food processor fitted with a metal blade, pulse the nuts, flour, sugar, salt, and cloves into a fine powder. Add the butter and yolk and pulse until it forms moist clumps and just comes together. If you pinch the pastry and it doesn't hold together, add a teaspoon of ice water and pulse again. Gather the dough into a ball, flatten it into a disk, and wrap in plastic. Refrigerate for 1 hour or overnight.

2. Roll out the dough between two sheets of parchment paper into a 12-inch circle. Remove the top sheet, invert, and using the bottom sheet as an aid, ease the dough into the tart pan, fitting it snugly against the sides and bottom. Trim the overhang with the back of a knife and patch any cracks with scraps. Refrigerate for 15 minutes.

3. Preheat the oven to 325 degrees Fahrenheit (160 degrees Celsius). Remove the pan from the fridge. Line it with a circle of foil and fill it with beans or pie weights. Bake the pastry for 15 minutes, carefully remove the foil and beans, and continue baking until pale golden, about 20 to 25 minutes more. Remove to a rack and let cool completely. The crust is delicate so handle gingerly.

MAKE THE GANACHE FILLING
1. Finely chop the chocolate in the bowl of a food processor fitted with a metal blade. Transfer to a medium bowl. Scald the whipping cream in a small saucepan, pour over the chocolate, and let stand for 5 minutes. Whisk gently until fully incorporated, add the Frangelico, and stir until smooth. Set aside until it has cooled a bit but is still pourable, about 20 minutes. Pour the mixture into the cooled crust and put aside for several hours to set. If you're in a rush, place the tart in the fridge for 20 minutes, but know that it'll lose its gloss. Remove the tart about a half hour before serving.

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Mar 1, 2008

Photo of the Day: Fishmonger


Wulf's Fish Market, Brookline, MA
29 February 2008, 4:46 p.m.

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